Anony Unveils Pola Lighting Collection at WantedDesign 2025

Set to debut at WantedDesign 2025 in New York City, Toronto-based studio Anony‘s latest lighting series—Pola—emerges from a focused investigation into geometry and atmosphere. Referencing the quiet drama of tunnels and arches, the collection embraces minimal materiality while offering spatial depth through light. True to Anony‘s design ethos, Pola does not shout. Instead, it gently nudges familiar forms into unfamiliar expressions.

Christian Lo’s Ongoing Dialogue with Geometry

At the center of Anony‘s work is Christian Lo, whose design practice prioritizes clean lines, measured restraint, and emotional resonance. With Pola, Lo continues this dialogue, reducing the circle—a universally recognized shape—to its simplest half. In the hands of another designer, this move might risk oversimplification. But in Lo’s work, simplicity is never an end—only a means to explore relationships between object, user, and space.

Rather than introduce novelty for novelty’s sake, Lo reframes the everyday, drawing attention to how light interacts with form. The result is a collection that balances function and poetry, and seems as much about the light that’s cast as the object that casts it.

Tunnels, Arches, and the Memory of Passage

The inspiration behind Pola comes from architectural spaces that are typically transitional and often overlooked: long corridors, tunnels, and archways illuminated from below. These are spaces where light doesn’t merely illuminate—it guides. By echoing this condition, Pola borrows from the visual clarity of such environments, treating light as both material and metaphor.

Each piece in the collection suggests a continuation of a line or a structure just outside the frame—half of a larger whole that the user completes imaginatively. The open forms and softened glow feel grounded in architecture, not ornament. Light flows outward, not inward, allowing for gentle, ambient warmth rather than spotlighting.

Material Restraint Meets Atmospheric Design

The materials are intentionally limited—aluminum, offered in a tight palette of finishes—but what the objects lack in material variety, they compensate for in atmospheric effect. Lo’s design emphasizes diffusion over glare, and the structure’s openness invites light to escape in measured arcs.

In the collection, warmth is not a temperature but a gesture—a suggestion of comfort in an otherwise stark formal composition. The objects are not centerpieces but instruments of subtle spatial transformation.

Quietly Functional in a Variety of Settings

The Pola collection was designed with adaptability in mind—usable across residential, hospitality, or institutional contexts without overpowering the space. As sconces, floor and table lamps, single and multi-pendants, each piece is autonomous yet clearly part of a family.

Lo’s careful calibration allows for installations that blend seamlessly into architectural environments while offering just enough articulation to suggest intention. In this way, Pola doesn’t seek attention—it offers presence.

Technical Sheet